Arists Painters

Nina Rostkowska   Contact: Phone +48517641615 ninarostkowska@gmail.com   Was born In 1962, Krosno, Poland Graduated art. College In Lodz Study: Mary curie Univesitet, Art college in Lublin. Diploma of professor Mariana Stelmasika,   Group exhibitions; 1990 Summer art salon in Krosno 1991 Art exibirion in Lublin 1992 exibition in Jaslo 1996 XII exhibition of polish artists, Rzeshow          International art camp in Bardejow, Slowaky 1997 International art camp          International group exhibition in New York          XIII exhibition of polish artists, Rzeshow 2000 International art camp and exhibition in Preszow, Slowaky 2001 International art camp in Chech rep.          International art camp in Slovaky          International symposium in Slowaky 2003  International art camp and exhibition Sanok 2005 VIII art biennale Prsesow, Slowaky 2007 International art camp in Sorbais, France  Solo exhibition; 1996 Gallery WDK Krosno 1997 Art gallery in Sanok 2000 Gallery WDK Krosno 2002 Publique biblitheque in Kroscienko 2004 Art gallery Passage in Ivonich Zdroj 2004 Art salon KBP Krosno   2002 II Prise in IV international aquarelle exhibition 2003 I Prise in V international aqurelle exibition	Andrius Kovelinas Contact: andrejusk@yahoo.fr Andrius Kovelinas has been living in Ireland for almost 5 years now. His extraordinary style and imagination has been on show at The Green Gallery shortly after he set foot on these shores. For many years Andrius had travelled throughout Europe producing his masterly works everywhere he went “I travelled a lot in Europe through Countries such as Sweden, France, Hungary, Lithuania, Spain. Before I moved to Ireland I was living In Northern France in the City of St. Michel”. Among traces of Kovelinas still visible there is a large fresco for the supermarket chain L’eclerc. Then he will be preparing hard for an exhibition in Austria, in the beautiful city Gmunden. In summer time every years, traditionally, he participates in the international Art Camp in France. 2007 year was excellent for Andrius. After two weeks 5 days travelling thru the French Normandy where he was inspired with new ideas for his pictures. The final exhibition was in Sorbay . Generally, Andrius’s themes are women. When it comes to painting women he takes great joy from this subject and will continue to pursue painting extraordinary works of beautiful women as long as he will be able to paint. “Women are designed amazingly by our Creator. All works are oil on canvas, but style and technique are not so important. So the tools are classic As usual small brushes. First – the idea is sketched on paper, then the real painting is produced. The only problem is time. I cannot create fast. Each work required preparation (the idea) and then realisation. I never paint directly on canvas without sketches. It can take between 2 days to 3month. As a result a beautiful picture is produced”. It is good to know that there are people out there who love Andrius work. “The important thing is that the people love the art, when a person buys my work and hangs it up on their wall, with positive energy and love. They not only have a beautiful picture, but a good mood and a small part of me, the artist”.   EXHIBITIONS 1978 - Posters of theatres exhibition in Lahti (Finland) 1980 - Group exhibition of politique posters in Vilnius (Lithuania) 1981 - Personal posters exhibition in Palanga (Lithuania) 1982 - Personal posters exhibition in Vilnius (Lithuania) 1983 - International group exhibition of politique posters in Moscow (Russia) 1984 - International group exhibition of politique posters in Vilnius (Lithuania) 1984 - Posters biennale in Lahti (Finland) 1985 - International posters exhibition in Warsawa (Poland) 1986 - Pers. Exhibition of oil paintings Palanga (Lithuania) 1987 - Pers. Exhibition of oil paintings Palanga (Lithuania) 1988 - Pers. Exhibition of oil paintings Palanga (Lithuania) 1989 - Pers. Exhibition of oil paintings Palanga (Lithuania) 1990 - Pers. Exhibition of oil paintings Vilnius (Lithuania) 1991 - Pers. Exhibition of oil paintings Vilnius (Lithuania) 1992 - Pers. Exhibition of oil paintings Palanga (Lithuania) 1993 - Pers. Exhibition of oil paintings Dubai (UAE) 1994 - Pers. Exhibition of oil paintings Winslow (Sweden) 1995 - Pers. Exhibition of oil paintings Palanga (Lithuania) 1996 / 2000 - Pers. Exhibition of oil paintings Palanga (Lithuania) 2001 - Pers. Exhibition of oil paintings Reims (France) 2002 - Pers. Exhibition of oil paintings Nancy (France) 2002 - International group Exhibition of oil Paintings St. Mishel (France) 2003 - International group Exhibition of oil Paintings St. Mishel (France) 2003 - Pers. Exhibition of oil paintings Nancy (France) 2004 - Pers. Exhibition of oil paintings Cork (Ireland) 2004 to present day – Group Show, The Green Gallery, Dublin. 2006-Solo exhibition at The Green Gallery, Dublin   2007 – Solo exhibition at   The Green  Gallery, Dublin 2008 - Solo exhibition in 10-er Gallery Gmunden Austria	Sunday Tribune   An outsider’s art   Dave Boland talks to Andrius Kovelinas ahead of his forthcoming exhibition ahead of his exhibition aptly entitled “SHE” at the Green Gallery, Dundrum.   The influx of Eastern Europeans is generally regarded as a good thing, but, when asked, most people will probably be thinking in terms of employment. However, one Eastern European has set about bringing his own vision to the Irish art world. Andrius Kovelinas has been living in Ireland for almost four years, although he has spent a significant part of his life away from his native Lithuania.  “I travelled a lot in Europe through countries such as Sweden, France, Hungary, Lithuania, Spain,” he said. “My sister lives in New York, and I go there two or three times a year to organise small private exhibitions for collectors.” His travels have informed his art, and brought a certain international flavour to his works. Before moving to Ireland, Kovelinas was living in northern France in the city of St Michel, where his work is widely known and admired. He began his artistic career by participating in several exhibitions of posters in Sweden, Russia, Lithuania, and Poland. In particular he produced a lot of posters for the Opera, Ballet and Theatre companies of Kishinev, Moldova, and he won the Grand Prix in a Politic Poster Exhibition in Moscow in 1983. In the period between 1987 and 1988, Kovelinas moved from posters back to oil paintings, but traces of the poster-art style can still be found in his work. Today, it is difficult to pin him down a single style – think renaissance classical meets Salvador Dali’s critical paranoia, and you could be coming close. But to fully experience his range, it would definitely be worth checking out his exhibition at the Green Gallery in Dundrum (in the Balally entrance corridor) on Wednesday, September 5 at 6.30 pm. The exhibition is entitled “SHE”, which is hardly surprising considering that, in general, Kovelinas’ themes revolve around women. Indeed, he takes great joy from this subject and will continue to pursue painting extraordinary works of beautiful women as long as he will be able to paint. “Women are designed amazingly by our creator,” he explained of his fascination with his subject. In terms of technique, Kovelinas employs a painstaking approach which lends his pictures the element of a crystallised dream. “All my works are oil on canvas, but style and technique are not so important. So the tools are classic - usually small brushes. First, my idea is sketched on paper, then the real painting is produced. The only problem is time. I cannot create fast. Each work requires preparation (the idea) and then realisation - and I never paint directly on canvas without sketches. It can take between two days and three months, but as a result, a beautiful picture is produced”. Since 2003, when he first came to this country, Kovelinas has been exhibiting in the Green Gallery, and his works (in Ireland) have remained exclusive to this gallery – including a first Irish solo exhibition in the Green Gallery which took place in February 2006. The quality of his work, coupled with its otherworldliness, has found favour with the art buying population of Dublin and beyond, and Kovelinas is becoming firmly established as a fixture in many of the collections of discerning Irish art lovers. “The important thing is that the people love the art, when a person buys my work and hangs it up on their wall, with positive energy and love,” he said. “They not only have a beautiful picture, but a good mood and a small part of me, the artist”.

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